Home » Artworks » The Last Supper — Metallic Version

The Last Supper

Metallic Version

After Leonardo da Vinci

SERIES

The New Testament Series

YEAR

2022–2025

MEDIUM

Carved wood and cast-epoxy, fully clad in gold, silver and copper metallic leaves

DIMENSIONS

337 × 215 cm (133 × 85 in)

“And as they were eating, Jesus took bread, and blessed it, and brake it, and gave it to the disciples, and said, Take, eat; this is my body.”

Matthew 26:26

Ask a Question

ChatGPT Image Aug 13, 2026, 06_00_02 PM 1

About

This Work

Where the original Last Supper uses selective gilding to draw attention to specific elements, this Metallic Version takes the opposite approach: the entire surface — every figure, every fold of cloth, every shadow — is fully clad in gold, silver, and copper metallic leaves. The result is a work of extraordinary richness and visual complexity. Light moves differently across each metal, creating a composition that shifts as the viewer moves. This is the same scene as the original, and a completely different experience of it.

The Last Supper. Leonardo da Vinci, 1495–1498. Tempera on a brick wall, 460 by 880 cm.
Refectory, Santa Maria delle Grazie, Milan, Italy.

The Craft Behind the Work

Wood Carving

In the carved wooden works, the initial preparation may involve CNC technology to establish the primary structure and composition. Amnon then continues through extensive manual carving, refinement, and surface work. The balance between technological preparation and handwork varies according to the scale, subject, and requirements of each piece.

Cast-Epoxy

Epoxy resin is used in selected works as an independent material or in combination with carved wood. Its role differs from one piece to another and may include structural, visual, translucent, or surface-related functions.

Gold, Silver & Copper Leaves

The gilding stage is the final and most demanding phase. Metallic leaves, 24 Karat gold, silver, and copper, are applied by hand, sheet by sheet, to the finished surface. The technique is ancient, used for centuries to adorn relics, altarpieces, and sacred objects. In Amnon's work it serves the same purpose: to signal that what you are looking at is not ordinary.

How a Monumental

Work Is Made

Source, Research & Interpretation

Most works begin with a close study of a well-known artwork or engraving. Amnon develops a personal interpretation through material, technique, scale, composition, and surface treatment.

Planning & Digital Preparation

The composition, scale, and proportions are prepared for production. In carved wooden works, this stage may include CNC-assisted preparation before the manual carving process begins.

Manual Carving & Refinement

Following the initial preparation, Amnon performs extensive manual carving and refinement, developing the surfaces, forms, and details of the work.

Casting & Integration

In works that include cast-epoxy, the cast elements are produced and integrated according to the specific material and compositional requirements of the piece.

Surface Preparation

The combined structure is prepared for gilding: smoothed, sealed, and given a base that will hold the metallic leaves.

Gilding

Gold, silver, and copper leaves are applied by hand, one sheet at a time. A large-scale work can require weeks of gilding alone.

Documentation

Each completed work is photographed professionally, measured precisely, and documented for the collector’s record.

More Arts

The Last Supper

Amnon has interpreted the Last Supper twice, after two very different artists. This work follows Gustave Doré rather than Leonardo da Vinci: not the frozen instant of the…

The Last Supper

Metallic Version

The Metallic Version of the Doré Last Supper is clad completely in gold, silver and copper metallic leaves over carved wood and cast-epoxy, with 24 karat gold applied…

The Baptism of Jesus

The baptism is the moment the Gospels mark as the beginning — the heavens opened, the Spirit descending, a voice from above. Gustave Doré's engraving gives the scene…

The Baptism of Jesus

Metallic Version

Fully clad in gold, silver and copper metallic leaves over carved wood and cast-epoxy, with 24 karat gold used selectively, the Metallic Version of The Baptism turns the…