Original large-scale artworks in carved wood, cast-epoxy, and metallic coats.
Created for collectors, institutions, and spaces that demand presence.
Original large-scale artworks in carved wood, cast-epoxy, and gold leaf. Created for collectors, institutions, and spaces that demand presence.
Amnon Moalem is an Israeli artist whose works exist at the intersection of faith, history, and physical mastery. Carving directly into solid wood, casting in epoxy, and finishing by hand with gold, silver, and copper metallic leaves, his pieces do not merely depict their subjects. They embody them.
Working on a monumental scale, many pieces exceeding two meters in height, Amnon’s art is made for spaces that carry meaning: grand private residences, institutions, places of worship, and distinguished collections.
“The spirits of artists past lend me their form, and I, in present, repay them in love and beauty in my inevitable journey toward eternity”
“The spirits of artists past lend me their form,
and I, in present, repay them in love and beauty
in my inevitable journey toward eternity”
Amnon Moalem
2019–2025
The New Testament Series
2016–2026
Heritage: The Hebrew Bible Series
A work of monumental ambition. A tribute of peace. A story that has never been fully told.
The Speaking Stones of Jerusalem
Pray for the Peace of Jerusalem
Flight
Abundance
Destination
Many pieces exceed 200 centimeters in height. These are not artworks for a wall, they are presences that transform a space.
Every cut, every cast, every leaf of gold is applied by hand. No two pieces are identical. No shortcuts exist in this process.
24 Karat gold, silver, and copper metallic leaves. Premium solid wood. Cast-epoxy with exceptional durability. Materials chosen for permanence, not trend.
Each work is a signed original. No editions. No prints. No reproductions. Acquiring a piece means acquiring something the world contains only once.
A work of monumental ambition.
A tribute of peace. A story that has never been fully told.
The Art of Gold Leaf
The Last Supper: From da Vinci and Doré to the Present
What Makes a Work Truly Monumental?